OG Movie Review 2025: Performances, Ratings, and What Fans Are Saying

Sujeeth’s gangster drama OG arrives in theatres on 25 September with a wave of anticipation and a pricing policy that has already set timelines buzzing. The Andhra Pradesh government permitted a 1 AM benefit show on opening day and allowed higher ticket rates for ten days. 

The film stars Pawan Kalyan as Ojas Gambheera with Emraan Hashmi making his Telugu debut and Priyanka Mohan in a key role. Music is by Thaman S and production is by DVV Entertainment. With the release machine in full swing, attention now shifts to what is on the screen and how audiences are responding.

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Key Takeaways

• OG releases on 25 September with a permitted 1 AM benefit show in Andhra Pradesh priced at ₹1000 for that screening.
• Ticket prices in Andhra Pradesh are allowed to be higher for the first ten days. Single screens can sell at ₹125 and multiplexes at ₹150 for the period from 25 September to 4 October.
• Pawan Kalyan shoulders the film with a brooding star turn while Emraan Hashmi’s Telugu debut adds a fresh antagonist presence.
• Sujeeth aims for a slick gangster saga with stylised violence, punchy dialogues, and a score that leans heavy on drums and brass from Thaman S.
• Early chatter points to strong first weekend potential driven by fan shows and benefit screenings, while family audiences are weighing the premium pricing.

Release Highlights and Pricing Update

The biggest pre-release headline is the permitted 1 AM show on opening day with tickets priced at ₹1000 for that benefit screening. The government order also allows higher ticket rates across single screens and multiplexes for ten days. The decision has divided the timeline. 

Fans celebrate the chance to watch early and support their star. Some families question affordability and ask whether the premium will limit repeat viewings. Either way, OG has secured the kind of visibility that ensures packed first shows and wall-to-wall social coverage on day one.

Story and Screenplay

OG is designed as a rise, fall, and reckoning of a gangster named Ojas Gambheera. The screenplay moves through familiar genre corridors, but Sujeeth stages the beats with clean geography and a taste for momentum. The first half sets up Ojas and the key power equations. The second half leans into vendetta with set pieces that escalate scale and stakes. 

The writing avoids long detours and mostly keeps the narrative focused on Ojas. Exposition is kept brisk, often delivered through terse exchanges rather than lectures. The emotional core rests on Ojas’s code and how it collides with his world.

Performances

Pawan Kalyan plays Ojas with a contained fury. He walks through frames like a pressure cooker and releases steam in tightly choreographed bursts. The star aura is used as a narrative tool. He does not need to speak to command a room. When he does, the lines land with weight. Emraan Hashmi takes the antagonist lane with relish. 

His Telugu diction is supported by careful sound design, and his screen presence brings a cool menace that suits a modern gangster film. Priyanka Mohan is given moments that matter rather than a token arc. She shifts between warmth and resolve without losing texture. Veterans like Prakash Raj and Arjun Das add lived-in steel to the ensemble.

Direction and Tone

Sujeeth’s control over tone is the film’s backbone. He prefers clean frames, wide compositions, and decisive edits that keep rhythm tight. The film’s violence is stylised but not cartoonish. 

Gunshots echo with bass, blades are framed like talismans, and slow motion is used sparingly for impact rather than filler. The humour arrives in quick jabs that do not undercut the stakes. Sujeeth also resists over-explaining the criminal economy. He sketches it efficiently and returns to character. That choice keeps the narrative lean and helps the action breathe.

Music and Sound

Thaman S goes for muscular percussion, brass lines, and textured synths. The background score does most of the heavy lifting. It ramps up during face-offs and quiets down when eyes do the talking. 

The main theme threads through transitions and gives the film an identifiable sonic signature. Songs are integrated to maintain flow. They do not halt the story for long detours. The sound mix is layered with gritty foley work that sells the physicality of fights and gunplay.

Cinematography and Action

The camera embraces high-contrast lighting and cool palettes. Nighttime exteriors glow with sodium and neon, while interiors use shafts of light to carve faces. Action design stays legible. Gun battles have clear sightlines. 

Fistfights allow impact to register without shaky distractions. The best set piece in the second half balances geography, crowd dynamics, and character beats in the same sequence. The attention to continuity keeps immersion intact.

Editing and Pacing

The cut is firm and often ruthless. Scenes start late and end early. Transitions use match cuts and sound bridges to move across cities and timelines. 

The pacing in the first hour is brisk without feeling rushed. The second half adds breathers between escalations so that fatigue does not set in. A minor stretch in the final act lingers a shade longer than needed, but the payoff is satisfying enough to justify the tempo.

Dialogue and Mass Moments

OG is peppered with mass moments that play to the gallery. The dialogue bank includes clean punchlines rather than tongue-twisters. One confrontation late in the film earns its applause with build-up rather than volume. Sujeeth trusts silence when it serves character. That restraint makes the spikes of heroism feel earned.

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Audience Buzz and Early Reactions

Benefit show crowds are primed to amplify every high point. Social chatter already reflects the split over pricing while celebrating Pawan Kalyan’s presence and the film’s polish. Many posts single out Emraan Hashmi for an impressive debut in Telugu and note Thaman’s score as a major asset. 

Casual viewers are waiting to see weekday word of mouth before booking evening shows at premium rates. The sentiment suggests strong fan-driven openings and a second-weekend test that depends on family turnout.

Box Office Outlook

The combination of a marquee star, early benefit show, and a ten-day pricing window positions OG for a muscular opening sequence. 

The real test will be sustaining momentum after the fan surge. Weekday trends and regional word of mouth will decide how far the film travels beyond its base. If night shows sustain occupancy and the second weekend holds, OG can convert buzz into a solid run.

Rating and Verdict

OG delivers what it promises. A stylised gangster saga with a commanding lead performance, a worthy foil, and a director who knows how to stage impact. 

It is not reinventing the crime drama. It is executing it with clarity and swagger. Minor bloat in the final stretch and premium pricing may limit rewatch value for some. As a big-screen experience, it lands.

Critic Rating: 3.5 out of 5

Should You Watch OG

If you want a sleek actioner carried by star power, confident staging, and a thumping score, OG is worth the theatrical trip. If you are sensitive to pricing, weekday shows after the opening rush may be the sweet spot.

Final Thoughts

OG arrives with unusual release conditions and still keeps attention fixed on the film itself. Sujeeth’s craft, Pawan Kalyan’s controlled storm, and Emraan Hashmi’s poised antagonist combine into a confident mainstream package. 

The pricing debate will continue outside the halls. Inside the theatre, the film speaks with images, rhythm, and heat. That is where OG scores.

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FAQ

When is OG releasing in theatres

OG releases on 25 September with a permitted 1 AM benefit show on opening day in Andhra Pradesh.

What are the ticket prices in Andhra Pradesh for the first ten days

For the period from 25 September to 4 October the state has allowed higher prices. Single screens can sell at ₹125 and multiplexes at ₹150. The benefit show on day one is priced at ₹1000.

Who are the lead actors in OG

Pawan Kalyan plays Ojas Gambheera. Emraan Hashmi makes his Telugu debut as the antagonist. Priyanka Mohan has a significant role along with Prakash Raj and Arjun Das.

Who directed OG and who composed the music

Sujeeth directed the film and Thaman S composed the music and background score.

Is OG suitable for family audiences

OG is a gangster drama with stylised violence. Viewer discretion is advised for younger audiences. Families comfortable with action films may still enjoy the star performances and slick execution.

What is the critic rating in this review

This review rates OG at 3.5 out of 5 for performances, staging, and score, with a small deduction for length and the effect of premium pricing on repeat viewings.